Hail the romans: as Above so Below

The arrival of the Romans marked a significant milestone in the evolution of London’s occult tradition and in 54 BCE Julius Caesar and his men crossed the Thames in West London, signalling the new era. The Romans were especially threatened by the Druids, who, according to Caesar, were
involved in divine worship and human sacrifice, including the burning of prisoners, or even innocents, in ‘wicker men’. Sure enough, London’s native tribes appear to have paid homage to their gods for protection from the Romans, as indicated by a decorative bronze shield with inlaid coloured
glass found in the Thames near Battersea that dates to this time. The original inhabitants of London were incredibly resilient and fought bravely to maintain their cultural identity. One hundred years later Queen Boudica sacked the city and soundly, if not brutally, defeated the Romans in retaliation for the rape of her daughters and the killing of the Druids; but the Romans would soon avenge this attack and all but extinguish the Druids and their largely oral occult traditions. The Roman invasion changed the landscape, language, culture and thought process of native Britons forever. There are many museum exhibits in London that document these changes via artefacts and re-creations. From an occult perspective there was a less tangible, but no less fundamental, change in consciousness starting to take place: the introduction of Mithraism, and the theology of ‘as above, so below’.Not much is known of this ancient mystery school, other than it involved Mithras, the Roman God of Light, but we do know that it also involved the ritualistic slaughter of bulls and included a seven-grade system of initiation. Like the Masonic rituals that would be conducted some fifteen hundred years later in London’s Grand Lodge, Mithraism included ritual meals and a secret handshake.
   The Romans conducted their rituals in underground temples called mithraea, and several of these evocative temples have been discovered in London, including one remarkable 60-feet long, 26-feet
wide temple beneath the now underground River Wallbrook.
   The origins of Mithraism are uncertain, although it is known to have been popular amongst Roman soldiers, most likely because it provided a comforting framework for the afterlife, and understandably so. In their profession a premature death was almost inevitable. The cult is thought to be Roman or Persian in origin and the name ‘mi-it-ra’ has been found inscribed in a 1400 BCE peace treaty between the Hittites and the kingdom of Mitanni in Northern Syria. This is interesting, for both regions have a rich tradition of bull veneration and each was contemporary with Dynastic Egypt, where I believe the tradition of Mithraism originated. 

 In Egypt, the slaughter of Apis (‘bee’ in Latin) bulls resulted in 1,000 souls, represented as bees, being born out of the body of the dead bull. The occult tradition of bull slaughter, which is referenced in the Mesopotamian Epic of Gilgameshand the Egyptian Opening of the Mouth ceremony, commemorates what the ancients observed in the constellation of Taurus: a hunter killing a bull with distinctive marks (3 stars) on its forehead, just as the Apis bull has distinctive marks on its forehead.
I believe London’s adoption of the occult tradition of ‘as above so below’ can also be found in the legend of King Arthur, whom every Celtic nation claims as their own, most notably England. In a recent documentary on King Arthur that I presented for the National Geographic Channel, I expressed my belief, much to the producer’s chagrin, that the ambiguity around Arthur’s origins is due to the fact that he never existed. Rather, he was an archetypical hero, who lived in the constellation of Ursa Major, known as the ‘Great Bear’, meaning Arthur. Man would have observed the Big Dipper, which resembles a platter (the object that was considered to be the Grail in the first complete account) rotating around the Pole Star, promising to return, like Arthur. The night sky also
includes an outline of a man with a wounded thigh, which sounds very much like the Fisher King. And, of course, Arthur fought twelve battles and there were twelve knights of the ‘round’ table; one for each of the twelve constellations perhaps? Was the legend of King Arthur just another archetype, much like Mithraism?

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